

On a morning run in Latera, past vineyards and fields of hazelnuts and olive trees, I suddenly realized, I “won” my own DIY “Italy Prize.” Self-created and self-conferred!
You may have heard of the prestigious Rome Prize. Each year, the American Academy in Rome (AAR) invites about 30 scholars, artists, and musicians to come to Rome to pursue their work, inspired by the Eternal City. Each year, 1,000 applicants seek to ascend the Mt. Olympus of academia.
I have never applied for the Rome Prize.
But the AAR also offers the opportunity to be a Visiting Scholar or Visiting Artist, a short-term, non-stipended stay to access the wonderful library collection and, for a short time, take a sip of the ambrosia with the Rome Prize pantheon.

As I transitioned from village to pathway on my run in Latera that morning, a tidal wave of sensation washed over me—the sun illuminating the spring forest, dazzling the fields: riotous and fulsome, a green exuberance. The long grasses of the hedgerows, the meadows of lupine, each gave their wild beauty to the day. Gratitude brimmed my heart.
But it began with a rejection.
In the Fall of 2025, I applied to be a Visiting Scholar at the AAR but was not selected. My vision of a month-long stay to explore the relation between the Via Francigena and Malory’s Roman War account seemed crushed..
As Elizabeth Gilbert has written in her book Big Magic, sometimes the muse taps your shoulder and asks you to show up. Hold on, or the muse will pass you by. I’ve been holding on to the thread of the Passionate Geography project since the idea first drifted into my mind on the train from London to Winchester.
So after hearing the disappointing news, I had a sit down with myself.
I had (somewhat randomly, coincidentally?) seen the La Casa Etruria Artist Residency listed on Res Artis. I applied and was accepted! I researched the Via Francigena, booked small hotels along the five-day walk to Rome, and read about Viterbo’s medieval San Pelligrino quarter.
I self-organized a month in Italy, including two weeks of writing at La Casa Etruria and a few blissful days at the AAR Library in Rome. It felt true to muse’s invitation.


Come May, I walked the last section of the Via Francigena (the same route as Thomas Malory’s Roman War itinerary in Le Morte Darthur) through the gorgeous landscape of rural Lazio, each day closer to Rome, along with my beloved partner, Paul.


In Latera, in the cool of the mornings, I’d run past bucolic fields on the outskirts of the incredible medieval village. I felt the muse’s affirmation. Here was my own DIY “Italy Prize.”
I stopped to take it in, filled with a sense of wonder and gratitude: this project has shaped a sense of purpose for me and, yes, a love for the work.


“Though you’re a whole world, Rome,” Goethe wrote after visiting Rome, “still, without love, the world is not the world, and Rome cannot be Rome.”1
Eccomi—here I am.
Coda: While at La Casa Etruria, I applied again to the AAR for Fall of 2026 and this time . . . I was selected to be a Visiting Scholar for December 2026! Whoo hoo! Very grateful to the AAR. Holding fast to the thread.
The Way It Is
There’s a thread you follow. It goes among
things that change. But it doesn’t change.
People wonder about what you are pursuing.
You have to explain about the thread.
But it is hard for others to see.
While you hold it you can’t get lost.
Tragedies happen; people get hurt
or die; and you suffer and get old.
Nothing you do can stop time’s unfolding.
You don’t ever let go of the thread.
- Johann Wolfgang von Goethe, Roman Elegies. Highly Recommended. ↩︎

















































































































